Welcome to our New Fonts section — a curated feed of the freshest typefaces added to FFonts.net. Whether you’re a designer, developer, or simply passionate about typography, this page helps you stay ahead of typographic trends.
Each new font brings a distinct voice — from clean modern sans serifs to expressive scripts and bold display styles. We update this list frequently, so you can preview live and download free fonts as soon as they go online.
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( Fonts by a Max Infeld - XEROGRAPHER FONTS - xerographer.blogspot.com . Personal-use only. For commercial use please contact owner. )
A playful, splatter-textured font with bold, rounded characters.
Download 187 Downloads@WebFont -
Download 1038 Downloads@WebFont
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Download 390 Downloads@WebFont
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Download 178 Downloads@WebFont
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Download 157 Downloads@WebFont
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( riffgraphisme.wix.com/book )
A playful, hand-drawn font with a textured, artistic style.
Download 175 Downloads@WebFont -
Download 103 Downloads@WebFont
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( Fonts by a Max Infeld - XEROGRAPHER FONTS - xerographer.blogspot.com . Personal-use only. For commercial use please contact owner. )
A bold, distressed font with a grunge, textured style.
Download 188 Downloads@WebFont -
Download 229 Downloads@WebFont
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( Fonts by Galdino Otten - galdinootten.com )
A bold, distressed font with a vintage, textured appearance.
Download 1077 Downloads@WebFont
FAQ — New Fonts
What is the new font everyone is using?
Popular choices change fast, but minimalist sans serifs and characterful display fonts are leading right now — especially for mobile-first content and modern branding.
What are five standout new fonts?
Recent favorites include SplatMatrix, RedWood, RedWood Thick, RedWood Oblique and RedWood Thick Oblique. They balance clarity and personality, working well for tech brands, editorial layouts, and social visuals.
How do I test a new font before downloading?
Use our live preview: type your text on the font page to check weight, spacing, and readability across sizes. Then download the TTF/OTF files when you’re happy with the result.









